Information about the book
The stone walls stood as they had for more than
two centuries, simple, sturdy, and strong. Mined from the hills
and the valleys, they rose in testament to man’s inherent desire to
leave his mark, to build and create.
Over those two centuries man married the stone with brick, with
wood and glass, enlarging, transforming, enhancing to suit the needs,
the times, the whims. Throughout, the building on the crossroads
watched as the settlement became a town, as more buildings sprang up.
The dirt road became asphalt; horse and carriage gave way to cars.
Fashions l ickered by in the blink of an eye. Still it stood, rising on its
corner of The Square, an enduring landmark in the cycle of change.
It knew war, heard the echo of guni re, the cries of the wounded,
the prayers of the fearful. It knew blood and tears, joy and fury. Birth
and death.
It thrived in good times, endured the hard times. It changed hands
and purpose, yet the stone walls stood.
In time, the wood of its graceful double porches began to sag.
Glass broke; mortar cracked and crumbled. Some who stopped at the
light on the town square might glance over to see pigeons l utter in
and out of broken windows and wonder what the old building had
been in its day. Then the light turned green, and they drove on.
Beckett knew.
He stood on the opposite corner of The Square, thumbs tucked
into the pockets of his jeans. Thick with summer, the air held still.
With the road empty, he could have crossed Main Street against the
light, but he continued to wait. Opaque blue tarps draped the building from roof to street level,
curtaining the front of the building. Over
curtaining the front of the building. Over
the winter it had served to hold the heat in for the crew. Now it helped
block the beat of the sun— and the view.
But he knew— how it looked at that moment, and how it would
look when the rehab was complete. After all, he’d designed it— he,
his two brothers, his mother. But the blueprints bore his name as
architect, his primary function as a partner in Montgomery Family
Contractors.
He crossed over, his tennis shoes nearly silent on the road in the
breathless hush of three a. m. He walked under the scaf olding, along
the side of the building, down St. Paul, pleased to see in the glow of
the streetlight how well the stone and brick had cleaned up.
It looked old— it was old, he thought, and that was part of its
beauty and appeal. But now, for the i rst time in his memory, it looked
tended.
He rounded the back, walked over the sunbaked dirt, through the
construction rubble scattered over what would be a courtyard. Here
the porches that spanned both the second and third stories ran straight
and true. Custom- made pickets— designed to replicate those from
old photographs of the building, and the remnants found during
excavation— hung freshly primed and drying on a length of wire.
He knew his eldest brother, Ryder, in his role as head contractor,
had the rails and pickets scheduled for install.
He knew because Owen, the middle of the three Montgomery
brothers, plagued them all over schedules, calendars, projections, and
ledgers— and kept Beckett informed of every nail hammered.
Whether he wanted to be or not.
In this case, he supposed as he dug out his key, he wanted to be—
usually. The old hotel had become a family obsession.
It had him by the throat, he admitted as he opened the uni nished
and temporary door to what would be The Lobby. And by the heart—
and hell, it had him by the balls. No other project they’d ever worked
on had ever gotten its hooks in him, in all of them, like this. He suspected none ever would again.
He hit the switch, and the work light dangling from the ceiling
l ashed on to illuminate bare concrete l oors, roughed-in walls, tools,
tarps, material.
It smelled of wood and concrete dust and, faintly, of the grilled
onions someone must have ordered for lunch.
He’d do a more thorough inspection of the i rst and second l oors
in the morning when he had better light. Stupid to have come over at
this hour anyway, when he couldn’t really see crap, and was dog tired.
But he couldn’t resist it.
By the balls, he thought again, passing under a wide archway, its
edges of stone still rough and exposed. Then, l ipping on his l ashlight,
he headed toward the front and the work steps that led up.
There was something about the place in the middle of the night,
when the noise of nail guns, saws, radios, and voices ended, and the
shadows took over. Something not altogether quiet, not altogether
still. Something that brushed i ngers over the back of his neck.
Something else he couldn’t resist.
He swept his light around the second l oor, noted the brown- bag
backing on the walls. As always, Owen’s report had been accurate.
Ry and his crew had the insulation completed on this level.
Though he’d intended to go straight up, he roamed here with a
grin spreading over his sharply boned face, the pleasure of it lighting
eyes the color of blue shadows.
“Coming along,” he said into the silence in a voice gravelly from
lack of sleep.
He moved through the dark, following his beam of light, a tall
man with narrow hips, the long Montgomery legs, and the waving
mass of brown hair with hints of chestnut that came down from the
Riley— his maternal side.
He had to remind himself that if he kept poking around he’d have
to get up before he got to bed, so he climbed up to the third l oor.
“Now that’s what I’m talking about.” Pure delight scattered
thoughts of sleep as he traced a i nger down the taped seam of freshly
hung drywall.
He played his light over the holes cut out for electric, moved into
what would be the innkeeper’s apartment, and noted the same for
plumbing in the kitchen and bath. He spent more time wandering
through what would be their most elaborate suite, nodding approval
at the l oating wall dividing the generous space in the bath.
“You’re a frigging genius, Beck. Now, for God’s sake, go home.”
But giddy with fatigue and anticipation, he took one more good
look before he made his way down the steps.
He heard it as he reached the second l oor. A kind of humming—
and distinctly female. As the sound reached him, so did the scent.
Honeysuckle, sweet and wild and ripe with summer.
His belly did a little dance, but he held the l ashlight steady as he
swept it down the hall into uni nished guest rooms. He shook his head
as both sound and scent drifted away.
“I know you’re here.” He spoke clearly, and his voice echoed back
to him. “And I guess you’ve been here for a while. We’re bringing her
back, and then some. She deserves it. I hope to hell you like it when
she’s done because, well, that’s the way it’s going to be.”
He waited a minute or two, fanciful enough— or tired enough—
to imagine whoever, or whatever, inhabited the place settled on a
w a i t - a n d - s e e m o d e .
“Anyway.” He shrugged. “We’re giving her the best we’ve got, and
we’re pretty damn good.”
He walked down, noted the work light no longer shone. Beckett
turned it on again, switched it back of with another shrug. It wouldn’t
be the i rst time the current resident had messed with one of them.
“Good night,” he called out, then locked up.
This time he didn’t wait for the light, but crossed diagonally. Vesta
Pizzeria and Family Restaurant spread over another corner of The
Square, with his apartment and oi ce above. He walked down the sloping sidewalk
to the back parking lot, grabbed his bag from the cab of
to the back parking lot, grabbed his bag from the cab of
his truck. Deciding he’d murder anyone who called him before eight
a. m., Beckett unlocked the stairwell, then climbed past the restaurant
level to his door.
He didn’t bother with the light, but moved by memory and the
backwash of streetlights through the apartment. He stripped by the bed,
letting the clothes drop.
He l opped facedown on the mattress, and fell asleep thinking of
honeysuckle.
The cell phone he’d left in his jeans pocket went of at six fifty-five.
“Son of a bitch.”
He crawled out of bed, over the l oor, dug his phone out of the
pocket. Realized he was holding his wallet up to his ear when nobody
answered.
“Shit.”
Dropped the wallet, fumbled out the phone.
“What the hell do you want?”
“Good morning to you, too,” Owen responded. “I’m walking out
of Sheetz, with cof ee and donuts. They’ve got a new clerk on the
morning shift. She’s pretty hot.”
“I’ll kill you with a hammer.”
“Then you won’t get any cof ee and donuts. I’m on my way to the
site. Ry should be there already. Morning meeting.”
“That’s at ten.”
“Didn’t you read the text I sent you?”
“Which one? I’m gone two days and you sent me a million freaking
texts.”
“The one that told you we rescheduled for seven i fteen. Put some
pants on,” Owen suggested and hung up.
“Hell.”
He grabbed a two- minute shower, and put some pants on.
The clouds that rolled in overnight had managed to lock the heat
in, so stepping outside was like swimming fully dressed through a
warm river.
He heard the thump of nail guns, the jingle of music, the whine
of saws as he crossed the street. From inside, somebody laughed like
a lunatic.
He turned the corner of the building as Owen pulled his truck
into the parking lot behind the projected courtyard. The truck
gleamed from a recent wash, and the silver toolboxes on the sides of
the bed sparkled.
Owen stepped out. Jeans, a white T-shirt tucked into his belt— and
on the belt the damn phone that did everything but kiss him good night
(and Beckett wasn’t taking bets against that)—marginally scuf ed work
boots. His bark brown hair sat tidily on his head. He’d obviously had
time to shave his pretty face, Beckett thought resentfully.
He shot Beckett a grin, and Beckett imagined the eyes behind
those bronze lenses were cheerful and alert.
“Give me the damn cof ee.”
Owen took a tall go-cup, marked with a B, from its slot in the
tray.
“I didn’t get in till three.” Beckett took the i rst, deep, lifesaving
gulp.
“Why?”
“I didn’t get out of Richmond until close to ten, then I hit a parking lot on 95.
And don’t, just do not tell me I should’ve checked the
And don’t, just do not tell me I should’ve checked the
trai c report before getting on. Give me a fucking donut.”
Owen opened the enormous box, and the smell of yeast, sugar,
and fat oozed into the thick air. Beckett grabbed a jelly, wolfed half
of it, washed it down with more cof ee.
“Pickets are going to look good,” Owen said in his easy way.
“They’re going to be worth the time and money.” He cocked his head
toward the truck on the other side of his. “Drywall’s up on the third
l oor. They’re going to get the second coat of mud on today. Roofers
ran out of copper, so they’re going to fall a little behind schedule on
that, but they’re working on the slate until the material comes in.”
“I can hear that,” Beckett commented as the stone saws shrilled.
Owen continued the updates as they crossed to the lobby door,
and the cof ee woke up Beckett’s brain.
The noise level spiked, but now that Beckett had some sugar and
caf eine in his system, it sounded like music. He exchanged greetings
with a couple of the crew hanging insulation, then followed Owen
through the side arch and into what would be the laundry, and currently served as an on-site oi ce.
Ryder stood scowling down at blueprints spread over a table of
plywood on sawhorses. Dumbass, his homely and purehearted mutt—
and constant companion— sprawled snoring at his feet.
Until a whif of donut had his eyes popping open, his scruf y tail
thumping. Beckett broke of a bite of donut, tossed it, and the dog
nipped it neatly out of the air.
D. A. saw no logical purpose in the fetching of sticks or balls. He
concentrated his skills on i elding food of any kind.
“If you’re going to ask for another change, I’ll kill you instead of
Owen.”
Ryder only grunted, held out a hand for cof ee. “We need to move
this panel box, then we can box in this space here, use it for second-
l oor utility.”
Beckett took another donut, considered as Ryder ran through a
handful of other changes.
Little tweaks, Beckett thought, that wouldn’t hurt and would
probably improve. Ryder was, after all, the one of them who lived
most intimately with the building. But when Ryder moved to eliminating the
coffered dining room ceiling— a thin bone of contention
coffered dining room ceiling— a thin bone of contention
between them— Beckett dug in.
“It goes in, just as on the plans. It makes a statement.”
“It doesn’t need to make a statement.”
“Every room in this place is going to make a statement. The dining room makes one
with— among other things, a cof ered ceiling.
with— among other things, a cof ered ceiling.
It suits the room, plays of the panels we’re making for the side of the
windows. The depth of the windows, the ceiling, the arch of stone
on the back wall.”
“Pain in the ass.” Ryder scanned the donuts, opted for a cinnamon
twist. He didn’t so much as glance toward the madly thumping tail
as he tore of the end, l ipped it into the air.
D. A.’s teeth snapped together as he caught it.
“How’d it go down in Richmond?”
“The next time I volunteer to design and help build a covered deck
for a friend, knock me unconscious.”
“Always a pleasure.” Ryder grinned around the donut. His hair, a
deep dense brown that edged toward black, sprang out from under
his paint- stained MFC gimme cap. His eyebrows lifted over eyes of
gold- l ecked green. “I thought you were mostly doing it to get into
Drew’s sister’s pants.”
“It was part of the motivation.”
“How’d that go for you?”
“She hooked up with somebody a couple weeks ago, a detail no -
body bothered to pass on to me. I never even saw her. So I’m bunked
down in Drew’s spare room trying to pretend I can’t hear him and
Jen i ghting every damn night, and listening to him complain how
she’s making his life hell every damn day.”
He drained the cof ee. “The deck looks good though.”
“Now that you’re back I could use some help on the built- ins for
The Library,” Owen told him.
“I’ve got some catching up to do, but I can give you some time
after noon.”
“That’ll work.” Owen handed him a i le. “Mom’s been down to
Bast’s,” he said, speaking of the furniture store down the street.
“Copies of what she’s after— with dimensions, and the room they’re for.
“Copies of what she’s after— with dimensions, and the room they’re for.
She wants you to draw it up.”
“I just did the last batch before I went to Drew’s. How fast can she
shop?”
“She’s meeting Aunt Carolee there tomorrow. They’re talking
fabrics, so she wants to see if and how what she’s got going i ts ASAP.
You’re the one who took of a couple days hoping to get laid,” Owen
reminded him.
“Struck out, too.”
“Shut up, Ry.” Beckett tucked the i le under his arm. “I’d better
get started.”
“Don’t you want to go up, take a look?”
“I did a walk- through last night.”
“At three in the morning?” Owen asked.
“Yeah, at three in the morning. It’s looking good.”
One of the crew stuck his head in. “Hey, Beck. Ry, the drywaller’s
got a question up in i ve.”
“Be there in a minute.” Ryder pulled a handwritten list of his
clipboard, passed it to Owen. “Materials. Go on and order. I want to
get the front porch framed in.”
“I’ll take care of it. Do you need me around here this morning?”
“We’ve got a few million pickets to prime, a mile or two of insulation to hang,
and we’re decking the second- story porch, front. What
and we’re decking the second- story porch, front. What
do you think?”
“I think I’ll get my tool belt after I order this material.”
“I’ll swing back through before I head out to the shop this afternoon,”
Beckett told them, then got out before he ended up with a nail
Beckett told them, then got out before he ended up with a nail
gun in his hand.
At home , he stuck a mug under his cof ee machine, checked the
level of the water and beans. While it chomped the beans, he went
through the mail Owen had stacked on the kitchen counter. Owen
had also left sticky notes, Beckett thought with a shake of his head,
listing the times he’d watered the plants. Though he hadn’t asked
Owen— or anyone— to deal with those little chores while he’d been
gone, it didn’t surprise him to i nd them done.
If you were dealing with a l at tire or a nuclear holocaust, you
could depend on Owen.
Beckett dumped the junk mail in the recycle bin, took what mail
needed attention and the cof ee through to his oi ce.
He liked the space, which he’d designed himself when the Montgomery
family bought the building a few years before. He had the old
family bought the building a few years before. He had the old
desk— a l ea market i nd he’d rei nished— facing Main Street. Sitting
there, he could study the inn.
He had land just outside of town, and plans for a house he’d
designed, barely started, and kept i ddling with. But other projects
always bumped it down the line. He couldn’t see the hurry, in any
case. He was happy enough with his Main Street perch over Vesta.
Plus it added the convenience of calling down if he wanted a slice
while he worked, or just going downstairs if he wanted food and
company.
He could walk to the bank, the barber, to Crawford’s if he wanted
a hot breakfast or a burger, to the bookstore, the post oi ce. He knew
his neighbors, the merchants, the rhythm in Boonsboro. No, no reason to hurry.
He glanced at the i le Owen had given him. It was tempting to
start right there, see what his mother and aunt had come up with. But
he had other work to clear up i rst.
He spent the next hour paying bills, updating other projects,
answering emails he’d neglected when in Richmond.
He checked Ryder’s job schedule. Owen insisted they each have
an updated copy every week, even though they saw or spoke to each
other all the damn time. Mostly on schedule, which, considering the
scope of the project, equaled a not-so-minor miracle.
He glanced at his thick white binder, i lled with cut sheets, computer copies,
schematics— all arranged by room— of the heating and
schematics— all arranged by room— of the heating and
air- conditioning system, the sprinkler system, every tub, toilet, sink,
faucet, the lighting, tile patterns, appliances— and the furniture and
accessories already selected and approved.
It would be thicker before they were done, so he’d better see what
his mother had her eye on. He opened the i le, spread out the cut sheets.
On each, his mother listed the room the piece was intended for by
initials. He knew Ryder and the crew still worked by the numbers
they’d assigned to the guest rooms and suites, but he knew J& R—
second l oor, rear, and one of the two with private entrances and
i replaces— stood for Jane and Rochester.
His mother’s concept, and one he liked a lot, had been to name
the rooms for romantic couples in literature— with happy endings.
She’d done so for all but the front- facing suite she’d decided to dub
The Penthouse.
He studied the bed she wanted, and decided the wooden canopy style
would’ve i t nicely into Thorni eld Hall. Then he grinned at the curvy
sofa, the fainting couch she’d noted should stand at the foot of the bed.
She’d picked out a dresser, but had listed the alternative of a secretary with drawers.
More unique, he decided, more interesting.
More unique, he decided, more interesting.
And she apparently had her mind made up about a bed for Westley
and Buttercup— their second suite, rear— as she’d written THIS IS
IT!! in all caps on the sheet.
He scanned the other sheets; she’d been busy. Then turned to his
computer.
He spent the next two hours with CAD, arranging, adjusting,
angling. From time to time, he opened the binder, refreshed himself
on the feel and layout of the baths, or took another look at the electrical, the cable for the l atscreens in each bedroom.
When he was satisi ed, he sent his mother the i le, with copies to
his brothers, and gave her the maximum dimensions for any night
tables, occasional chairs.
He wanted a break, and more cof ee. Iced cof ee, he decided. Iced
cappuccino, even better. No reason not to walk down to Turn The
Page and get one. They had good cof ee at the bookstore, and he’d
stretch his legs a little on the short walk down Main.
He ignored the fact that the cof ee machine he’d indulged himself
in could make cappuccino— and that he had ice. And he told himself
he took the time to shave because it was too damn hot for the scruf .
He went out, headed down Main, stopped outside of Sherry’s
Beauty Salon to talk to Dick while the barber took a break.
“How’s it coming?”
“We’ve got drywall going in,” Beckett told him.
“Yeah, I helped them unload some.”
“We’re going to have to put you on the payroll.”
Dick grinned, jerked a chin at the inn. “I like watching it come
back.”
“Me, too. See you later.”
He walked on, and up the short steps to the covered porch of the
bookstore, and through the door to a jangle of bells. He lifted a hand
in salute to Laurie as the bookseller rang up a sale for a customer.
While he waited he wandered to the front- facing stand of bestsellers
and new arrivals. He took down the latest John Sandford in
paperback— how had he missed that one?—scanned the write-up
inside, kept it as he strolled around the stacks.
The shop had an easy, relaxed walk- around feel with its rooms l owing into one
another, with the curve of the creaky steps to the second-
another, with the curve of the creaky steps to the second-
l o o r o i ce and storerooms. Trinkets, cards, a few local crafts, some of
this, a little of that— and, most of all, books and more books i lled
shelves, tables, cases in a way that encouraged just browsing around.
Another old building, it had seen war, change, the lean and the
fat. Now with its soft colors and old wood l oors, it managed to hold
on to the sense of the town house it had once been.
It always smelled, to him, of books and women, which made sense
since the owner had a fully female staf of full- and part- timers.
He found a just- released Walter Mosley and picked that up as well.
Then glancing toward the stairs to the second- l oor oi ce, Beckett
strolled through the open doorway to the back section of the store.
He heard voices, but realized quickly they came from a little girl and
a woman she called Mommy.
Clare had boys— three boys now, he thought. Maybe she wasn’t
even in today, or not coming in until later. Besides, he’d come for
cof ee, not to see Clare Murphy. Clare Brewster, he reminded himself.
She’d been Clare Brewster for ten years, so he ought to be used to it.
Clare Murphy Brewster, he mused, mother of three, bookstore
proprietor. Just an old high school friend who’d come home after an
Iraqi sniper shattered her life and left her a widow.
He hadn’t come to see her, except in passing if she happened to
be around. He’d have no business making a point to see the widow of
a boy he’d gone to school with, had liked, had envied.
“Sorry for the wait. How’s it going, Beck?”
“What?” He tuned back in, turned to Laurie as the door jingled
behind the customers. “Oh, no problem. Found some books.”
“Imagine that,” she said, and smiled at him.
“I know, what are the odds? I hope they’re as good for me getting
an iced cappuccino.”
“I can hook you up. Iced everything’s the order of the day this
summer.” Her honey brown hair scooped up with a clip against the
heat, she gestured to the cups. “Large?”
“You bet.”
“How’s the inn coming along?”
“It’s moving.” He walked to the counter as she turned to the
espresso machine.
Pretty little thing, Beckett mused. She’d worked for Clare since
the beginning, shul ing work and school. Five years, maybe six? Could
it be that long already?
“People ask us all the time,” she told him as she worked. “When,
when, when, what, how. And especially when you’re going to take
down that tarp so we can all see for ourselves.”
“And spoil the big reveal?”
“It’s killing me.”
With the conversation, the noise of the machine, he didn’t hear
her, but sensed her. He looked over as she came down the curve of
the steps, one hand trailing along the banister.
When his heart jumped, he thought, Oh well. But then, Clare had
been making his heart jump since he’d been sixteen.
“Hi, Beck. I thought I heard you down here.”
She smiled, and his heart stopped jumping to fall l at.
